November 2019
Editorial
Middlemost, Renee & Sue Turnbull. Editorial Introduction
Articles
Cañas-Bajo, Jose, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri Valtanen & Pertti Saariluoma. Emotional experiences of films: Are they universal or culturally mediated?
Golub, Adam & Ashley Loup. Engaging fan cultures: What students learn when they study fans
Loges, Natasha & Terry Clark. Thinking across disciplines: Audience responses to Clara Schumann’s Dichterliebe at the Wigmore Hall
Podara, Anna, Maria Matsiola, Theodora A. Maniou & George Kalliris. Transformations of television consumption practices: An analysis on documentary viewing among post-millennials
Rendell, James. A picture is worth a thousand corpses: Audiences’ affective engagement with In the Flesh and The Walking Dead through online image practices
Schiavone, Rosa, Stijn Reijnders & Balázs Boross. Losing an imagined friend: Deriving meaning from fictional death in popular culture
Themed Section 1: Streaming and the Re-Education of the Audience
Edited by Barbara Klinger
Klinger, Barbara. Introduction: Streaming and the re-education of the audience
Horeck, Tanya. Streaming sexual violence: Binge-watching Netflix’s 13 Reasons Why
Elrod, James M. Navigating the Nebula: Audience affect, interactivity, and genre in the age of streaming TV
Zündel, Jana. Serial skipper: Netflix, binge-watching and the role of paratexts in old and new “televisions”
Zhang, Xiaoran. From Western TV sets to Chinese online streaming services: English-language TV series in mainland China
Barker, Cory. The Surprise Drop: The Cloverfield Paradox, UnREAL, and evolving patterns in streaming media distribution and reception
Verma, Neil. From the narrator’s lips to yours: Streaming, podcasting, and the risqué aesthetic of Amazon Channels
Jenner, Mareike. Control Issues: Binge-watching, channel-surfing and cultural value
Themed Section 2: Audiences, Cultures, Histories – Contexts and Comparisons
Edited by Richard Butsch
Butsch, Richard. Introduction: Audiences, cultures, histories – Contexts and comparisons
Drotner, Kirsten. Media audience practices beyond living memory: Modeling theoretical and methodological issues
Bourdon, Jerome. The Internet of Letters: Comparing epistolary and digital audiences
Oggolder, Christian. Media for the crowds: Audiences beyond dispersed masses
Jonckheere, Evelien. In search of identities: “Foreigners” in fin-de-siècle Belgian café-concerts
Maltby, Richard & Ruth Vasey. A Great Generic Conspiracy’: Classical Hollywood’s protection system
Thissen, Judith. Faith, fun and fear in the Dutch Orthodox Protestant milieu: Towards a non-cinema centred approach to Cinema History
Klien-Thomas, Hanna. Historical disjunctures and Bollywood audiences in Trinidad: Negotiations of gender and ethnic relations in cinema going
Heinze, Robert. Dialogue between absentees? Liberation radio engages its audiences, Namibia, 1978-1989
Staiger, Janet. The Audience of Perry Mason, or the Case of What People Write to Famous Authors
Asthana, Sanjay. Television, memory, and history: ‘Informal knowledge’ of Doordarshan on the Internet
Issues and debates
Greenberg, Susan L. Letter in response to Per Henningsgaard (Participations, 16.1)