March 2023 — Current Issue
Editorial
Editor’s Introduction
Sue Turnbull
Articles
Transnational Audience Mobility – Or How I Learnt to Love Crocodile Dundee
Karina Aveyard
A Spanish anime childhood: Early perception of anime in Spain by mainstream audiences
Susana Tosca and Victor Navarro Remesal
Reflections of Hope and Anxiety in Audience Responses to Three Environmental Films
Kaisa Hiltunen and Minna Rainio
Can Telenovelas be Cult TV?: An Audience Perspective
Clarice Greco
Safety Glass Cinema: A Film Festival’s Drive-In Response to COVID-19
Hagen Nelson and Vincent Georgie
Megathreads and ‘waifu wars’: A structural content analysis of r/persona5 as a community of practice
Rebecca Britt and PS Berge
The ‘Fanfic Lens’: Fan Writing’s Impact on Media Consumption
Fabienne Silberstein-Bamford
Towards a Theory of ‘Appropriate Fandom’
Mark Stewart
Evaluating participation – how to measure a complex concept
Louise Ejgood Hansen
Themed Section: The dynamics of film audiences: how they form and develop relationships with film
Editors’ Introduction
Bridgette Wessels and Lito Tsitsou
The Place of Film in Cinema Memory
Silvia Dibeltulo & Daniela Treveri Gennari
‘I’m no expert, but…’: Everyday Textual Analysis with Film Audiences in the English Regions
David Forrest
Audience Engagement with Foreign to English Language Film, Othering, and Interpretative frameworks
Lito Tsitsou
Analysing film audiences: the merits of a data ontology
Michael Pidd
How Audiences Form: theorising audiences through how they develop relationships with film
Bridgette Wessels