November 2011
Editorial
Barker, Martin (Joint Editor). Editorial Introduction: A Small Diatribe, and a Serious Challenge to Other Journals
Articles
Athique, Adrian. Diasporic Audiences and Non-Resident Media: The Cast of Indian Films
KÀÀpÀ, Pietari & Guan Wenbo. Santa Claus in China and Wu xia in Finland: Translocal reception of transnational cinema in Finnish and Chinese film cultures
Krijnen, Tonny. Engaging the Moral Imagination by Watching Television: Different Modes of Moral Reflection
Bohley, Kim Trager. âBrowsing Madnessâ and Global Sponsors of Literacy: The Politics and Discourse of Deterritorialized Reading Practices and Space in Singapore
Smith, Anne Collins & Owen M. Smith. Pragmatism and Meaning: Assessing the Message of Star Trek: The Original Series
Special Section: Comedy Audiences
Friedman, Sam, Brett Mills & Tom Phillips (Guest Editors – Special Section). Editorial Introduction
Harbidge, Lesley. Audienceship and (Non)Laughter in the Stand-up Comedy of Steve Martin
Bore, Inger-Lise Kalviknes. Reviewing Romcom: (100) IMDb Users and (500) Days of Summer
Lockyer, Sharon & Lynn Myers. âItâs About Expecting the Unexpectedâ: Live Stand-up Comedy from the Audiencesâ Perspective
McCulloch, Richard. âMost People Bring Their Own Spoonsâ:Â The Roomâs participatory audiences as comedy mediators
Quirk, Sophie. Containing the Audience: The âRoomâ in Stand-Up Comedy
Smith, Eve. Selling Terry Pratchett’s Discworld: Merchandising and the Cultural Economy of Fandom
Weaver, Simon. Definitions of the humorous in Chris Rock and Russell Peters fan blogs: A discussion of the problem of incongruity
Wilson, Nathan A. Divisive Comedy: A Critical Examination of Audience Power
Special Section: International Film Audiences Conference
Hollinshead, Ailsa (Guest Editor – Special Section). Editorial Introduction
Aveyard, Karina. The Place of Cinema and Film in Contemporary Rural Australia
Cochrane, Jacqui. 16 Years of Alcohol: An Allegory of a Nation?
Evans, Elizabeth Jane. Superman vs Shrödingerâs Cat: Taste, Etiquette and Independent Cinema Audiences as Indirect Communities
Gregoli, Roberta. Transnational Reception of City of God and Elite Squad
Hardie, Amy. Symbolic Cinema & Audience Engagement
Hollinshead, Ailsa. âAnd I felt quite posh!â Art-house cinema and the absent audience â the exclusions of choice
KrĂ€mer, Peter. âMovies that make people sickâ: Audience Responses to Stanley Kubrickâs A Clockwork Orange in 1971/72
Monk, Claire. Heritage Film Audiences 2.0: period film audiences and online film cultures
Phillips, Tom. When Film Fans Become Fan Family: Kevin Smith Fandom and Communal Experience
Toffell, Gil. Cinema-going from Below: The Jewish film audience in interwar Britain
Treveri-Gennari, Daniela, Catherine O’Rawe & Danielle Hipkins. In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, genre and national identity
Special Section: Approaching the Online Audience: New Practices, New Thinking
Hight, Craig, Ann Hardy, Carolyn Michelle & Adrian Athique (Guest Editors – Special Section). Editorial Introduction
Davis, Charles H. & Carolyn Michelle. Q methodology in audience research: bridging the qualitative/quantitative âdivideâ?
Goode, Luke, Alexis McCullough & Gelise O’Hare. Unruly publics and the fourth estate on YouTube
Hardy, Ann, Craig Hight & Carolyn Michelle. Reservoir Hill and audiences for online interactive drama
Yeatman, Bevin. Still seeking the audience
Reviews
Holland, Samantha. Pole Dancing, Empowerment and Embodiment (Elke Weismann)
Tueth, Michael V. Laughter in the Living Room: Television Comedy and the American Home Audience (Tom Phillips)
Turner, Graeme. Ordinary People and the Media: The Demotic Turn (Simon Cross)
Young, Richard O. How Audiences Decide: a Cognitive Approach to Business Communication (Martin Barker)