November 2022
Editorial
Editor’s Introduction
Sue Turnbull
Articles
Researching transnational audiences in the streaming era: Designing, piloting and refining a mixed methods approach
Cathrin Bengesser, Andrea Esser & Jeanette Steemers
RT’s appeal to British audiences on Facebook: Outsider in an untrustworthy media environment
Natalie-Anne Hall
Female middle-aged fandom and K-Pop in Malaysia
Sharmaine Loh & Callum Gilmour
Theatre through Zoom: Audience responses to The Time Machine
Emma Weitkamp, Karen Collins, Milly Farrell & Lucy Askew
Do Books Make Better Souvenirs? An Exploration of Souvenir Value for the Book Industry
Rachel Noorda
Themed Section: International film audiences — Industrial and academic perspectives (Part 2)
Introduction
Maya Nedyalkova & Daniela Treveri Gennari
The dynamics of audience practices: mobilities of film consumption
Matthew Hanchard, Peter Merrington & Bridgette Wessels
Young Flemish audiences’ cinema-going intentions and VOD streamed viewing
practices during COVID-19
Stephanie Tintel & Tim Raats
Memories of Cinema-going in Little Nassau
Monique Toppin
From the Periphery: Voices from the New Towns
Angela English
Achieving an intimacy of knowledge and effect? The impact of documentary films in Europe
Huw D. Jones
The imagined affordances of cinema-going and national cinema
Sten Kauber
Bringing cinema experiences back: A conversation with Armand Fall, manager of the Complexe Cinématographique Ousmane Sembène in Dakar, Senegal
Estrella Sendra Fernandez
“I Realised that This History Is Going to Be Erased”: Photographer Hemant Chaturvedi on Changing Film Exhibition in India, Its Forgotten Theatres and People
Daniela Treveri Gennari & Maya Nedyalkova
Mapping out contemporary Brazilian film: Reaching new audiences
Hadija Chalupe da Silva