Volume 14, Issue 2

November 2017


Turnbull, Sue. Editorial Introduction: The Future (Past?) of Media Audience Research


Askanius, Tina. “It feels like home, this is my Malmö”: Place, media location and fan experiences of The Bridge

Berg, Miriam. Turkish drama serials as a tool for Soft Power

Brown, Alan. Audience research gone wild

Corbett, Steve & Bridgette Wessels. Active audiences and reflexivity: How film audiences form in northern English regions

Cullinane, Mark. Participatory cultures and democratic legitimation in public service media: Ireland and the RTÉ Audience Council

Halpern, Andrea & Julian Anderson. Preface: Repeat performances and their audiences

Anderson, Julian. On the practice of repeating concert items in concerts of modern or contemporary music: Historical precedents and recent contexts

Halpern, Andrea Chloe H. K. Chan, Daniel Müllensiefen & John Sloboda. Audience reactions to repeating a piece on a concert programme

Inthorn, Sanna. Audience responses to representations of family-assisted suicide on British television

Pearce, Samantha & Alexis Weedon. Film adaptation for knowing audiences: Analysing fan on-line responses to the end of Breaking Dawn – Part 2 (2012)

Toone, Ashton, Amanda Nell Edgar & Kelly Ford. “She made angry Black woman something that people would want to be”: Lemonade and Black women as audiences and subjects

Themed Section: News Consumption across Europe

Edited by Hanna Adoni, Zrinjka Peruško, Hillel Nossek & Kim Christian Schrøder

Adoni, Hanna, Zrinjka Peruško, Hillel Nossek & Kim Christian Schrøder. Introduction: News consumption as a democratic resource – News media repertoires across Europe

Part I: Audience news media repertoires in ten countries

Stark, Birgit & Svenja Bergerhoff. News media use in Germany on multiple media platforms: A Q-methodological analysis of news repertoires

Swart, Joëlle, Chris Peters & Marcel Broersma. The ongoing relevance of local journalism and public broadcasters: Motivations for news repertoires in the Netherlands

Torres da Silva, Marisa, Maria José Brites, Rita Figueiras, Sílvio Correia Santos, Inês Amaral, Lídia Marôpo, Pedro Jerónimo, Paula Espírito Santo & Liliana Pacheco. Between traditional and social media: news repertoires in Portugal

Van Damme, Kristin. In Flanders Fields: News media repertoires in Dutch-speaking Belgium

Van Leeckwyck, Robin, Geoffroy Patriarche & Marie Dufrasne. Doing one’s shopping in the ‘supermarket of news’: News media repertoires in French-speaking Belgium

Peruško, Zrinjka, Antonija Čuvalo & Dina Vozab. News as a democratic resource: Q study approach to cross-media news repertoires in Croatia

Kõuts-Klemm, Ragne. High diversity in a post-socialist Nordic country: News repertoires in Estonia

Jedrzejewski, Stanislaw. News repertoires in Poland

Nossek, Hillel & Hanna Adoni. Coexistence of “old” and “new” news media in a transitional media system: News repertoires in Israel

Hight, Craig & Arezou Zalipour. Shopping in a narrow field: Cross-media news repertories in New Zealand

Part II: Comparing audience news media repertoires across Europe

Van Damme, Kristin, Christian Kobbernagel & Kim Christian Schrøder. Comparing European citizens’ news media repertoires across nations: A second-order factor analysis approach to explore cross-national patterns

Kõuts-Klemm, Ragne & Maria José Brites. How digital converges cross-media news typologies across countries: A comparative study of news consumption in Estonia and Portugal

Van Damme, Kristin & Joëlle Swart. Cross-medial news usage in the Dutch-language region: A comparative study of news repertoires in the Netherlands and Flanders

Jedrzejewski, Stanislaw. Public service media news consumption across Europe: Views from a Q-methodological repertoire study

Themed Section: Unsociable Audiences

Edited by Stephen Gaunson & Tessa Dwyer

Dwyer, Tessa & Steve Gaunson. Un/social cinema – audience decorum revisited

Blake, James. Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation

Llinares, Dario. “Please turn your phone on”: Analysing outcomes of second-screen spectatorship using Social Media in the cinema space

Dwyer, Tessa. Hecklevision, Barrage Cinema and Bullet Screens: An intercultural analysis

Coates, Jennifer. Socializing the audience: Going to the cinema in post-war Japan

Gaunson, Steve. The ‘Picture’ habit: Bad decorum and delinquents at the Silent Cinema

Sandars, Diana. Sing and go wild: Embracing the cult-like musical experience of children’s cinema

Amit, Rea. Shall we dance, Rajni? The Japanese cult of Kollywood

Stevens, Kirsten. Between Like and Love: Cinephilia and connected viewing in film festival audiences

Kennedy, Helen. “Join a cast of 1000s, to sing and dance in the Revolution”: the Secret Cinema “Activist” brand and the commodification of affect within “experience communities”

Atkinson, Sarah. “You sure that’s a film, man?”: Audience anticipation, expectation and engagement in Lost in London LIVE


Thissen, Judith & Clemens Zimmermann (eds.). Cinema Beyond the City: Small-town and Rural Film Culture in Europe (reviewed by Martin Smith)

Whitehouse-Hart, Jo. Psychosocial Explorations of Film and Television Viewing: Ordinary Audience (reviewed by Annette Kuhn)