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Journal of Audience and Reception Studies

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Volume 20, Issue 1

April 2024

Editorial

Editor’s Introduction
Elizabeth Evans, Daniela Treveri Gennari and Bridgette Wessels

Articles

β€˜Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers Talk About Motherland (BBC, 2017–)
Su Holmes and Sarah Godfrey

Glossing Over, Normalising or Just a ClichΓ©?: The Craft (1996), Northern Irish Girls and Teen Cinema
Sian Barber

Encountering Other Men at the Movies: Racialised Masculinities on the Internet Movie Database (IMDb)
Alex Hastie

#EAListen: A Thematic Analysis of a Successful Fan Activist Campaign
Megan Condis and Uyanga Bazaa

Podfic: Cultural Accessibility through Digital Community
Olivia Johnston Riley

Conversations

Reflections on Researching Cinema Memory and the (R)evolution of Digital Archiving 
Annette Kuhn, Dario Llinares and Sarah Neely

Book Reviews

Review: Kelsey Jacobson, Real-ish: Audiences, Feeling, and the Production of Realness in Contemporary Performance, Montreal: McGill-Queen’s University Press, 2023
Tom Drayton

Review: Michael Saenger and Sergio Costola (Eds.), Shakespeare in Succession: Translation and Time, Montreal & Kingston: McGill-Queen’s University Press, 2023
Sarah McCourt

Review: Miriam Berg, Turkish Drama Serials: The Importance and Influence of a Globally Popular Television Phenomenon, Exeter: University of Exeter Press, 2023
Kai Roland Green

Participations
Journal of Audience and Reception Studies

The Journal devoted to developing the broad field of study of cultural and media audiences

ISSN 1749-8716

Dedicated to the memory of Professor Martin Barker, founder and editor of Participations.

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  • Home
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  • About
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    • Submission Guidelines
    • Guest Editor Guidelines
    • Using Generative AI
    • Conversations
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    • Harvard Referencing Guide
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  • Editorial Board
  • Contact
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