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An
Investigation into the Mass Communication Consumption in a Closed
Male Young Offenders Institution
Abstract
This essay provides
an account of some research carried out at a Young Offenders’
Institution, into mass communication use and consumption in a closed
prison institution. The research indicates that all forms of
communication are limited, restricted and controlled in this type of
situation. This restricted access can lead to boredom and stress,
all of which have serious implications for bullying, self-harm and
suicide in prison. The findings also suggest that the prisoners have
an intrinsic drive and complex need to remain in contact with the
wider community, as a result of incarceration. These needs can be
satisfied and often diverted via choice and selection of various
communication systems. However, as choice and selection is limited
there is an adverse impact on identity, and particularly the
individuals’ ability to maintain and manage cultural identity, in
the face of incarceration. This essay therefore advocates the need
to improve communication access for young offenders.[1]
Key words:
prisons, audiences,
identity, boredom, coping
The use of mass
communications is part of everyday life in industrialised societies:
but what about on the ‘inside’? This question inspired me to carry
out research into mass communication use in a prison, Glen Parva
Young Offenders’ Institution in Leicester. Coincidentally, at the
time I embarked on this study, Yvonne Jewkes had just completed her
study of ‘media, masculinity and power in prisons’ which was
published later in the book Captive Audiences (2002).
Jewkes’ study (2002) alerted me to important methodological and
theoretical issues in relation to doing research (1) into the use
of media and (2) with prisoners in prisons. In particular it
was evident during the empirical research phase of my project that
the context, being the prison, smudges the definition of what media
(mass communications) are and what their primary forms are. As a
consequence, for the purpose of this article, mass communication
refers to mediated forms of communication such as television, radio,
music, video, newspapers, magazines, literature and internet.
However, in addition, the term also needs to include primary forms
of communication such as telephone and letters. Since this research
maps the access of all forms of communication, the differences and
similarities between communication systems can be understood by how
they are used and what symbolic significance they may have to the
prisoners who took part in this study. But beyond this, as Jewkes
highlights,
the study of media
consumption among prison inmates might not only illuminate aspects
of the social world of the prison, but also indicate why it is that
media are so important to all of us in providing channels of
communication, information and entertainment, and in forming
identities, positioning ourselves in relation to others within
social hierarchies and creating a sense of ourselves in time and
space.[2]
Rationale
The initial concern
and impetus for this research project was to offer an alternative to
the current theories and debates within the Media and Cultural
Studies discourse. I sought to challenge the primary emphasis of the
‘domestic’ environment in which audiences are traditionally
understood and researched (Morley 1992, 1986). Research and theory
in this area frequently reiterate that ‘mediated communication
is a quintessentially domestic activity’[3]
(Lindlof & Meyer 1987, Morley & Silverstone 1990). Hence, the
domestic sphere has been considered to be the standard locale for
using and consuming communication, from TV to telephone. Conversely,
Jewkes (2002) suggests that:
media resources and
texts have been employed by ‘ordinary’ people- in contexts other
than that of the family or household, and particularly as sources of
individual identification and resistance to the dislocated and
disempowered- remain important but under-researched areas.[4]
In addition, Johnson
(2004) has commented that ‘no one has systematically studied the
role of TV in prison adjustment, but it is common knowledge that TVs
are widespread in prison and are … lauded by officials as a way to
keep prisoners passively engaged.’[5]
My aim was to map the
use of mass communications in a prison institution and
explore how this activity helped or hindered prisoners during
incarceration, especially during periods of isolation and boredom.
The empirical research revealed some interesting nuances which
affect the ways in which we should explore mass communication use
or consumption, as well as carry out research in a prison situation.
Unlike Jewkes’ study (2002), which focuses on qualitative data in
relation to identity, specifically masculinity and power, in this
study I use both quantitative and qualitative data to explore the
use of mass communications; my research reveals a continuous
struggle to get and maintain access to mass communications. I also
found that to motivate prisoners to talk about their use and
consumption of mass communications the actual context of use often
proved more important than the content of what they used. This is
because, contrary to what appears to be popular belief, access is
limited, restricted and controlled.
Research Venue and
Methodology
Glen Parva Young
Offenders’ Institution (YOI) houses approximately 750 male prisoners
at any one time; they are aged between 18-21 years old. This prison
holds both remand (awaiting sentence outcome) and convicted
(sentenced) prisoners. I sought access to the prisoners via
approval of the institution’s Governor, and the fieldwork was
facilitated by the Education Unit. This meant that the empirical
work was carried out in and sometimes alongside educational classes.
These types of access allowed me to access a large number of
prisoners in a short space of time and I could ask the prisoners to
take part in the various stages of the research. In addition, repeat
visits meant that I could also access the same prisoners I greeted
on previous visits. The limitations of having restricted access to
the Education Unit were that the sample was not entirely
representative of the prison population in this institution. Large
sections of the prison community at Glen Parva also have employment
within the prison; with the remaining prisoners locked in their
cells (banged-up) when prisoner activities were running during the
day time.
Quantitative and
qualitative data were collected using four research techniques:
diaries, questionnaires, focus groups, and semi-structured
interviews. Basic data were gained by the use of diaries in which
volunteers recorded their mass communication use for a two-week
period. The participants were given a sheet for each separate day.
They were asked to record the type of mass communication they used
into hourly time slots set out on the sheet. Alongside this diary
method, semi-structured interviews and questionnaires were
administered. The synthesis of the resulting data provided rich
personal accounts which described the experiences of using and
accessing mass communications in this kind of environment. The
research instruments had different principal intentions. Each
research tool was designed and implemented to meet a set of criteria
based on the outcomes of a literature review, which included
research, theory, commentary on mass communications and the
sociology of imprisonment. Four key areas were identified as the
focus of my study, resulting in a model which provided the framework
for the methodology and analysis of the data. These areas also
included some important research questions pertaining to audiences
in prison:
1. Everyday
Life in Prison:
This notion offered an alternative to the domestic
setting in matters of audience reception and uses of communication
systems. The research sought to provide a contrast / comparison to
the ‘politics of the living room’ (Cubitt 1985, Morley 1992) and to
examine the ‘circuit of culture’ (du Gay 1997) by considering:
-
Availability
of mass communications
-
Ability
to engage with communication systems
-
Negotiation
techniques apparent in the prison setting
2. Taste
and Choice:
This mapped and recorded the individual tastes and
choices of male young offenders through their mass communication
use. It explored any patterns of use by considering the experience
of time and lifestyles in prison, by acknowledging:
-
Routes
chosen to subscribe to identities (Clifford 1997)
-
Effects of Deprivation
on choice and consumption of mass communications (Sykes 1970,
Goffman 1959)
-
Media Rich or Media Poor?
Indicators to
establish whether the prison environment has an abundance or
scarcity of mass communications (Hagell and Newburn 1994)
3. Needs:
This examined the personal needs of prisoners in terms of mass
communication use by considering:
-
Uses and Gratifications:
These were taken to
include diversion, personal relationships, personal identity and
surveillance (Blumler and Katz 1974).
-
Para-Social Interaction:
The importance of belonging to a wider, social community and
formulation of intimate relationships with media personalities and
characters as if they were ‘real’ people (Horton and Worhl 1956
and Meyrowitz 1985).
4. Consequences
of Incarceration:
This examined the role and importance of mass
communications to male young offenders and the effects this had on:
-
Collective identities:
To recognise the problems with
identity management in the prison environment (Moores,2000).
-
Degrees of media dependency:
To highlight the
importance of media and other forms of communication in a prison
setting (Vandebosch 2000).
-
Morale and Self-esteem:
The extent to which
mass communication systems can improve these (Liebling & Krarup
1992).
The research tools
were designed to allow me to explore these key themes, and to enable
me to triangulate quantitative with qualitative data and vice versa.
Since the research was small scale, in that it was located in one
prison over a limited time scale, the investigation was designed to
open up a debate about audiences inside prison and to provide
informed evidence that might lead to more extended investigations on
these issues.
The focus group
sessions were an important and valuable stage in evolving my
research methodology. These helped me to be introduced to prison
from a prisoner perspective and hear about their experiences as
prisoners using mass communications. They also allowed me to
explore access and availability of mass communications
in this institution and thus form an outline of everyday life in
prison, from the perspective of a young male prisoner. From the
diaries and focus groups, I was able to generate lists and schedules
of a typical day in this prison. These enabled me to map the kinds
of processes involved in gaining access to mass communications in
prison. This then helped me to draft, pilot and finalise the
questionnaires, and the interview schedules and to develop the diary
schedules to suit the prison context and also the participants. This
approach enabled me to design questions that were relevant to my own
criteria or model, but also be appropriate to the context of this
particular prison, at that particular time.
To begin with, then,
focus groups (semi-structured group discussions) with two
separate groups of prisoners (convicted and remanded) were held.
The aim was to build an understanding of ‘everyday life’ in prison;
and to establish how mass communications are accessed, made
available and negotiated within this institution, as part of this.
These also provided data in relation to how everyday life in prison
is structured, organised and regulated through the prison regime.
Mass Communication
diaries
followed the focus group sessions. The diaries were personal
records; they mapped each individual’s use of and access to mass
communications over a two week period. They also of course provided
evidence of personal or individual choice and taste in mass
communications, such as the types of music listened to and the
choice of television programmes. They also identified different
locales of mass communication use within this environment; such as
in-cell, outside cell on units, and in education.
Mass Communication
questionnaires
were administered. The completed questionnaires confirmed individual
preferences, such as individuals’ choice of newspaper, their
preferred genres of television programme, film and music, the levels
of access, and their reasons for use of mass communications in
prison. Finally, they also allowed me to explore the relations
between levels of morale and self-esteem, and mass communication
use.
The semi-structured
interviews drew together evidence from focus groups, diaries and
questionnaires. Here, the primary focus was on the ‘consequences of
incarceration’ and on personal ‘uses and gratifications’ of mass
communication use. In addition, individual perspectives on the
differences between media use in prison compared to ‘home’ on the
outside were also considered. The interview data provided evidence
to enable me to triangulate the findings from the focus groups,
diaries and questionnaires.
Analysis of the data
was developed and refined as I became more sure of my own research
model (based on relevant literature) and of the data themselves.
Processing the quantitative data (such as the proportions of
prisoners who have in-cell television) was a useful opportunity to
both remind of the central issues that relate to access to mass
communications in prison. This enabled me to become more confident
in my interviewing technique, particularly for subsequent visits to
the prison, thus enhancing the depth of the stories that the
prisoners told about their experiences. Analysis was originally
framed around the model I set out in the inception of the study.
However cross references of data between different research tools,
such as between questionnaires and diaries, allowed me not only to
refine my understanding of the data I had gathered but also to
pursue further secondary data, for example from official prison
policy literature or other kinds of research. Thus matching,
checking and cross-referencing allowed me explore the consumption of
mass communications in prison on a number of levels, which included
personal, cultural, institutional and societal themes. Jewkes (2002)
has identified the need to address the relationship of media at
several different levels: the ‘microsocial, meso-sphere and
macrosocial’[6]
I believe that I have been able to provide a map of mass
communication use in a prison context, which echoed Jewkes’ levels.
It was evident that I
myself, and my beliefs, played a significant resource in the way I
have analysed the data – especially the qualitative data. As
Denscombe (2003) suggests, ‘the researcher’s identity, values and
beliefs cannot be entirely eliminated from the process … the
researcher’s self is inevitably an integral part of the analysis,
and should be acknowledged as such’[7].
Consequently I acknowledge that my interpretations of the data (in
the shape of comments on questionnaires and texts from interviews)
were shaped by the identification of ‘patterns and processes,
commonalities and differences’[8]
(Miles and Huberman 1994) which I believed I could see in the data.
In addition to this
in-house research the national prisoner newspaper Inside Time
enabled me to request responses from prisoners in other HMP
institutions. A letter from me was published which generated some
detailed and lengthy responses from the wider prisoner community.
This enabled me to relate and triangulate my findings to wider
responses from prisoners in other prison institutions to some of the
findings that emerged from my study.
Finally, I maintained
a personal record of my visits to the institution. This record did
not feature as a resource in my final thesis, but instead helped me
to shape my ideas and recognise issues about doing social
research with prisoners (see King and Wincup 2000). Here I noted my
personal observations and feelings about carrying out the fieldwork.
I found it useful to document how I as (1) a researcher and (2) a
female in a predominantly male environment managed and coped with
the task of exploring the research phenomena. I found at times that
prolonged periods of listening to and interacting with the people
that took part in my study both emotionally rewarding and also
draining. It was often outside the ‘interview’ or visit for example
that I was able to observe and assess evidence of the processes
described to me by the interviewees or participants and also how my
presence could invoke responses from those individuals I came into
contact with.
Significant Findings
In this essay I can
only deal in any detail with a few of the project’s findings, but in
order to give them a context within the overall scope of my study, I
set out in brief the main outcomes of my entire project:
1. Everyday
life in prison is governed by routine and strict regime, in which
access to communication systems is regulated by the incentive and
earnings privilege system (IEP). As a consequence, the types and
frequency of communication use are related to good conduct and
behaviour. This could be entitlements to in-cell television rather
than communal television on the prison wing, and association time
where prisoners are let out of their cells to use the telephone,
watch TV and videos and interact with other people. The incentive
system is based principally on obtaining and maintaining
communication access and opportunities.
2. The
need to communicate is magnified by the nature of incarceration as
there is an intrinsic drive or hunger for individuals to remain in
contact with the wider outside community (both interpersonal and
mediated). Communication needs are established before imprisonment,
isolation from the outside world increases the desire to
communicate, and individuals thus become more
communication-dependent. In particular accounts of ‘bang-up’ time
indicate that prisoners go to extreme lengths to try and satisfy
this desire.
3. The
prison environment can be described as ‘communication poor’, as
there is limited access to all forms of communication. The privilege
system enables prisoners to become more ‘communication rich’, by
earning access to in-cell TV, income to buy telephone cards, stamps,
magazines and newspapers and more regular opportunities for
association time. Furthermore, this is often complicated by the
differences in the abilities of prisoners to understand this system
and behave in a desirable manner, and inconsistencies in the
application of prison rules and regime by staff throughout the
prison.
4. Boredom
is a significant and complex experience of imprisonment and use of
communication systems serves as a diversion and a stimulus, and thus
reduces stress.
5. Consumption
of mediated forms of communication such as television is
significantly lower than consumption on the outside. Conversely
‘lads’ lifestyle’ magazines (e.g. FHM, Loaded, Maxim) and
pornography are consumed at an increased rate compared to the
outside. Magazines are frequently circulated amongst prisoners, thus
having more readers per magazine than the outside. They also serve
as ‘currency’ in the absence of cash inside prison, magazines and
telephone cards are exchanged for other goods. Cultural consumption
alters and shifts as a result of imprisonment.
6. Both
prisoners and the institution reproduce a version of domestic
routines. Clock or scheduled time is reproduced and imposed by the
institution and its staff in routines like the working week (Monday
to Friday) and weekends and the timing of activities such as meals
and education or work. Secondly, prisoner consumption of mass
communication such as peak viewing of television and listening to
music and radio at weekends is typical of domestic routines outside.
7. Understanding
and interpretation of institutional practices and policies is not
uniform. As a result some individuals are more aware of entitlements
than others, consequently this can bring about further anxieties,
isolation and stress.
8. Consumption
of mass communications indicates and reinforces broad ‘collective
identities’ such as the young male heterosexual ‘lad’ cultures,
especially through media such as magazines and music. However the
evidence suggests that there is diversity in choice and selection of
music, which reinforces individuality rather than collectivity.
9. Imprisonment
does not completely ‘mortify the self’ (Goffman 1959) as
individuality and cultural identity are evident and negotiated
through choice and taste of communication systems, particularly
through preferences in music and print media. There is however a
shift from previous consuming behaviour, as individuals adopt
behavioural patterns according to their immediate circumstances and
environment.
Based on these
general outcomes, this essay discusses three of the major issues
that emerged from this research. I hope that these may contribute to
important debates in relation to penal policy by raising new
concerns about the ‘state’ of our prisons. The three issues are:
1. Everyday Life in Prison: Access to and Availability of Mass
Communications; 2. Consequences of Incarceration, and 3. Boredom
1.
Everyday Life in Prison: Access and Availability to Mass
Communications
According to
Vandebosch’s (2000) account of ‘degrees of media dependency’[9]
or levels of importance or need, prisoners have a need for and
actively make a choice to have some media system in their own
personal space or cells. Furthermore everyday life is punctuated and
exists not only with and along side mass communications but as many
commentators have begun to suggest ‘the relationship between
everyday life and the media is in fact more than this and that media
is everyday life’[10]
(see also Morley and Silverstone 1991 & Silverstone 1994).
O’Sullivan et al suggest that media saturation and its constant
presence in everyday life emerges from the accompaniment of
hardware, like television sets, video recorders, in certain
settings particularly the domestic. O’Sullivan states ‘statistically
and culturally, it is deviant to live without at least one TV. More
than 80 per cent of households in Britain now have at least one
video cassette recorder.’[11]
Key debates about the
presence of mass communication in our lives have suggested that we
have integrated these technological systems into our everyday lives
and it can be argued that we have become reliant on their use,
function and presence in our everyday lives. Involuntary removal of
persons from these everyday locales such as the home or work, to a
prison institution can, according to Vandebosch, increase a
prisoner’s dependence on mass communications due to the actual
process of imprisonment; more specifically the removal of civil
liberties and freedom. This is because prisoners need to interact
socially with a wider outside community precisely because they are
physically not part of it. The removal of liberty deprives or limits
prisoners of purposeful activity. This hinders their ability to
retain meaningful links or any sense of belonging beyond the prison
walls. As Jewkes describes the situation, ‘prisoners are concerned
about being cut off from the outside world to an extent where they
fear that on release they will be as aliens in an unknown world. The
benefits of having wide access to the media of mass communications…’[12]
are obvious.
Thus the potency,
relevance and value of mass communications in prison is accentuated
by the experience of incarceration. Incidentally the experience and
meaning of everyday life shifts to adjust to this phenomenon,
especially in terms of preserving, limiting and avoiding the fear of
losing autonomy, becoming contaminated and assaulted and the
trepidation of personal deterioration and breakdown (see Jewkes
2002, Cohen and Taylor 1972, Sykes 1970).
The dependence on
communication is magnified by the experience of incarceration
because it can help to eliminate boredom and provide opportunity for
para-social interaction (Horton & Wohl, 1954, Meyrowitz, 1985), and
which evidence in my study extends to wider outside monitoring of
cultures the young men associate with, for instance. The
participants’ responses in the questionnaires and semi-structured
interviews suggest that prisoners’ talk about celebrities and
characters in soaps (usually based on their opinion of them)
indicated that para-social interaction was much more significant and
relevant than what it would appear to be on the ‘outside’.
Opportunities for
this are highlighted in the popularity of ‘lads lifestyle’ magazines
such as FHM, Loaded and Maxim. The usefulness of these
magazines provide contemporary information, updates on many facets
of a ‘lad culture’ which they seek to remain part of. Imprisonment
partially deprives these young men of being physically ‘in’ this
culture, consuming these types of magazines allows them to sustain
an identity that is broadly associated with being young and male of
which ideologies especially in relation to heterosexuality, based on
the dominant presence of half naked women, can be constructed and
vividly mobilized. These types of magazines not only provide reading
material, but are also used as texts in the shape of pictures that
can be openly displayed on their cell walls as motifs of their
identity[13].
My data suggest that
this institution is what Hagell and Newburn (1994) would define as
‘media poor’ in terms of access, availability and ability to use
mass communication systems; yet there is at the same time an
increased interest to communicate and interact with and sustain
links the ‘outside’, either through direct interaction with others
or through maintaining knowledge about the ‘outside’ to construct
their identity. In the absence of mediated forms of communication
reliance on interpersonal communication such as letters from
outside, speaking down the toilet to fellow prisoners (in
neighbouring cells) and ‘catching a line’ (sending messages on
string from cell windows), demonstrates the lengths individuals go
to, in order to communicate. Forsythe (2004) highlights how
communicative opportunities in prisons were traditionally (and still
remain to be) restricted. His exploration of Victorian prisons
provides some explanations for this:
the purpose of
restricting communication was to deprive the prisoner of the solaces
and reinforcements of association and ensure that all communication
was consistent with purposes of discipline and reformation’.[14]
As I found in my
study, the prisoners find ways to overcome these restrictions just
like their predecessors a century ago. As I also found, Forsythe
remarked that ‘prisoners did not, of course, readily accept this
prohibition on communication and devised most ingenious methods of
making contact with their fellows.’[15]
He lists methods like, ‘Morse code’, ability to talk ‘without moving
lips’, developing facial expressions, and writing secret newsletters
on toilet paper. The young men who participated in my study
regularly observed the prison rules, but found ways of ‘getting
round them’ or criticising them. As one prisoner noted, rules were
sometime contradictory: ‘prison sells blank tapes, but you are not
supposed to swap anything, so we pass music on at our own risk.’ It
is apparent that the prison environment has both historically (and
currently still is the case) and socially been synonymous with
communicative poverty.
Based on this
observation, access and ability to use mass communications are
limited and consequently there appears to be an increased dependency
on other more available and less traditional methods. It is worth
considering evidence from an exercise in my focus groups, in which
the young male prisoners were asked to note down key activities in a
typical day. Combined with the data from the mass communication
diaries, this suggested that the average prisoner spends
approximately 18 hours per day locked up in their cell. Forsythe
found that the typical Victorian prisoner spent between 16 to 23
hours confined to the cells.[16]
This is a further suggestion that incarceration embodies long
periods of isolation and regulated and controlled schedules. This
restriction applies to all types of communicative opportunities;
this environment is not only ‘media poor’ but also communication
poor.
The impact that
communication poverty has on everyday life in prison affects
prisoners’ experience of time. Communication poverty hinders
individuals fully engaging in the tempo of human existence. As Adam
(1994) suggests, human existence is ‘structured and punctuated by
socially marked stages’[17].
Despite the ‘institutional beat’[18]
that is so overt in prison (such as when it is time to get up, go to
work or education, eat meals, shower, have visits from friends and
family and lights out), the ownership of this time does not belong
to the prisoner, it is shaped and administered by the institution
(Cope 2003). Therein, since mass communication use is limited,
opportunities for prisoners to secure their own tempo or beat
through choices in various media products like newspapers are
reduced. Therefore dailiness, which can be understood according to
Scannell (1988) as the ‘unobtrusive ways in which broadcasting
sustains the lives and routines, from one day to the next, year in,
year out, of whole populations’[19],
can become obscured; marked time is suspended or hindered. At this
point prisoners’ well being, autonomy and identity associated with
everyday life subtly shift to bear the burden of incarceration.
Prisoners highlighted
their reliance on communication systems by their awareness of its
absence or scarcity for them, especially compared to their life
outside prison. The prisoners’ talk of their use of communication
systems is overwhelmed by their concerns for access to them. One
example to illustrate this – in a message on his completed two-week
diary, one young man wrote:
I’m sorry to say I have no radio or TV,
so it may be not be of much help to you. If it is no help I
apologise. All it consists of is the basic everyday life of a
prison in here with no TV, radio. It just shows you all we do is
eat, sleep, read, go to education/gym and on association.’ (Diarist
6)
Given the choice the
prisoners in my study would like reasonable access to all
communication systems. A large proportion of this sample (77%) had
at least one problem using and accessing communication systems in
jail. They realise the benefits that communication access has in
reducing stress. One interviewee declared he was not stressed in
prison but recommended that ‘Everyone should be entitled to TV apart
from bullies… [it will] shut people up….they’d be no shouting, less
fighting and less stressful’ (Interviewee 5)
Moreover, the stress
experienced in prison is different from the stress of everyday life
on the outside. Giddens (1984) suggests routine is important for
sustaining ‘ontological security’[20]
or the capacity to predict what will be. But despite the overt
predictability of the prison regime in terms of marked time and
activities, this ‘ontological security’ is destabilized. The TV
schedule or guide is a good example: some prisoners valued them
enormously. However, the function of the TV guide seemed to be
redundant to some prisoners. In the first instance ‘these cost
money’, as one prisoner explained, and another prisoner suggested
that looking at one ‘would only piss you off’ in instances where
prisoners do not have in-cell television. The television and more
often radio schedule allow for only partial ‘ontological security’
since the removal of access and money to service them is constantly
in threat. The opportunity to have predictable, regular and
frequent access is constantly being challenged, thus making it into
a luxury and contributing to these complex stresses.
Equally, the
environment is often volatile, with a constant threat of violence
and bullying, but there is little opportunity or physical space for
prisoners to withdraw into. The prison cell, as many of the
prisoners in my study highlighted is not their own, it is not
private; it is a public space, which prison officers and officials
can enter at any given time. As Jewkes emphasises, the prison cell
or the remaining space is not the same as the domestic space, in
which mass communication use can shape the environment and
experience of that space. She argues that:
the prisoner’s cell
is fundamentally and symbolically the same as it has always been.
Although cosmetically different now that posters and photographs are
allowed on the walls, in-cell television has been installed (in some
institutions) and integral sanitation has been introduced…it still
bears little relation to other environments in ‘normal’ life.[21]
Despite this, spaces
and identities are re-presented to mimic ‘normal’ life with the
public use of mass communications such as newspapers and magazines
as motifs of the ‘outside’ world.
The limitations of
‘ontological security’ can be extended to other communicative links,
as one individual pointed out:
if you get a bad
letter or phone call … like if something happens to your family and
nothing can get done. Some people take the piss and that’s what
spoils it for the genuine cases … the screws think you are pulling a
fast one and only if it is in writing can something be done.’
(Interviewee 8)
The lack of
communications and inconsistent ‘ontological security’, combined
with a sense of loss of valued goods such as freedom and autonomy,
illustrate how distorted and extraordinary the experience of
everyday life in prison is. It also demonstrates how complicated is
the relationship which prisoners have with mass communications.
2.
Consequences of Incarceration
My research suggests
that the frustration of isolation and boredom is magnified by the
prison situation and as a consequence individuals will alter their
consuming behaviour in order to mobilize their selves in a confined
world. This is affected routinely by prison policy on access to mass
communications. The seriousness of stress in this environment is
evident in the significant amount of bullying, violence, self-harm
and suicide within the prison population. Lyon (cited in Bryans and Jones 2001) describes the ‘hallmarks
of vulnerability in young people’ as ‘experience of loss, isolation,
lack of support, low self-esteem, sense of powerlessness/
helplessness and uncertain future.’[22]
This echoes the work
of Liebling and Krarup (1993) whose analysis of reasons for suicide
attempts in male prisons, found that prisoners described domestic
issues (31%) such as ‘contact problems’ as a major causal factor.
For situational problems such as regime, boredom, bang-up and
visits, 50% of Liebling and Krarup’s study described these as
reasons for suicide attempts.[23]
The findings from my research do not suggest that improved
communication will prevent these scenarios from occurring. However
communication use and access is a significant and crucial factor
towards improving ‘ontological security’. Different communication
systems are used for very different reasons; the pleasures and
escapism of magazines and music, or the direct contact with family
and friends in letters, telephone calls and visits help to reduce or
limit the problems which Liebling and Krarup highlight. One
individual offers this description:
along with phone calls, letters are the
most cherished form of communication in jails, the world over I
suspect. The smell of a scented letter, the photos inside of your
kids, the family that you may not have seen for years, these things
are priceless, whilst we have language, letter writing will
continue, no TV or prison officer can deny the power of language.
(Letter Respondent 3)
Dooley (1991) also
suggests that
isolation from
contact from others is only likely to exacerbate feelings of
hopelessness…there is a need dramatically to improve communication,
both internally between staff and prisoners and externally between
prisoners and the outside world…communication with outside could be
facilitated by extending the access to telephone by prisoners and by
more liberal visiting and access procedures.[24]
In line with this,
some of the interviewees made recommendations for communication
access in prison: ‘we need more phones and privacy … so other
prisoners can’t hear you…I realise that the phone calls need to be
taped … but still it should be private.’ (Interviewee 4) The
telephone points in prison wings are in public view for all to hear
and see, and the lack of privacy adds to the anxiety individuals
often feel. The transparency of the prison environment reinforces
the notion that prisons are public spaces, not in the ordinary sense
in that anyone can access them, far from this, but where privacy is
so overtly denied. Moreover, this illustrates how different the
prison space is compared to the domestic space i.e. the home.
Silverstone (1994) suggests that a communication system like
‘television is a domestic medium.’[25]
He describes the home as:
a place of conflict
and despair as well as of peace and security. It can be a haven or a
prison…They are social, economic, cultural and political spaces. And
they are technological spaces … we need to preserve our concern with
television as a domestic medium.[26]
It is evident from
the responses from the questionnaires and interviews that even when
individuals get access, they still experience problems. The active
monitoring and control of communication systems such as the
telephone and letters is ostensibly for security reasons. However
the establishment regime creates tension and additional anxieties,
and the threat that their television and radio or opportunities to
buy phone cards and stamps can be taken away, often without
explanation, is always present in their minds. The ‘us’ and ‘them’
sentiment is magnified, and this resentment increases isolation,
annoyance, anger and stress. The removal of opportunities to access
the media arguably contravenes the Human Rights Act (1998). Under
Article 10 or ‘freedom to expression’[27],
the access to media sources is a basic human right. However
prisoners are not deemed as citizens because ‘politically and
institutionally, [they] have for the most part forfeited their
rights as citizens; and prisons are seen as institutions which are
set apart from ordinary society’.[28]
Moreover, citizenship, in this context might also mean more than the
ability to engage in political life. Imprisonment also denies
communicative opportunities which can be extended to the ways in
which people create and manage their own personal space and also
time. Being able to physically move in and out of ‘public’ and
‘private’ locales is an important feature for individuals to
construct meanings and understandings of their experience or
situation. In prison the ability to manage and control their own
space and time is ostensibly limited, denied and often altogether
removed. A prisoner’s ability to make sense of their time and
space in prison is constantly in a indeterminate state.
In attempting to
recommend solutions to this it is evident from my research findings
that certain factors can and do contribute to prison stress, such as
overt public control of communicative opportunities. In particular
there is an intrinsic and complex need to remain in contact with the
wider community via choice and selection of communication systems.
As Sir David Ramsbotham has stressed:
Everyone is
encouraged to improve themselves and given the opportunity of doing
so through access to purposeful activity. Nothing is more likely to
encourage suicide or self-harm than being locked up in a cell the
whole time, frustrated bored and idle.[29]
The abundance of time
that prisoners are faced with highlights some of the difficulties in
explaining how people generally use time. Linder (1970) suggests
that a ‘leisure problem’[30]
has emerged in industrialised societies. The ‘problem’ is that in
societies where time is scarce, additional time is still required in
order to consume and be at leisure. The prisoners in this study have
an abundance of time and are effectively required to engage in what
Gramsci (1975) describes as ‘forced leisure’.[31]
This problem is magnified because there are limited opportunities to
consume valued goods such as mass communications. The idle nature of
imprisonment can be explained by ‘time surplus’[32],
a culture in which there is too much time with very little to do. In
essence, prisoners wait for activity and opportunities to do
something in order to divert boredom, isolation and idleness.
Likewise, during activity, they wait for the next opportunity to do
something else. Engaging with mass communications partly diverts and
possibly quickens the waiting process. As Adam (1994) indicates,
waiting can be imposed upon individuals in order to exert power over
them. In the instance of prison, the institutional regime directly
and explicitly imposes long periods of waiting onto the
prisoners.
3.
Boredom
The nature of
incarceration increases the frequency of boredom, and periods of
waiting and ‘bang-up’ time in turn increase isolation. These
together decrease the opportunity to communicate on all levels. The
findings from my research suggest that the vast majority (94%) of
the respondents are bored in prison. Prolonged and repeated periods
of boredom occur when time is in surplus (Linder 1970) and
opportunities to engage in activities are limited (physically and
economically) or even non-existent. In these instances prisoners
expressed common desires for stimulation and communication
mechanisms in order to counteract boredom and the waiting for
opportunities of activity, such as tomorrow morning’s newspaper,
letters or next month’s magazine. One individual explained that he
was:
always beating boredom, prison is all
about being bored. I do anything to pass a minute, so it goes
quicker. I am constantly doing things to beat boredom like, roll a
burn, take the piss, that’s where bullying starts, bullies are
bored. I write letters, have a wash, watch TV, brush teeth (laughs).
I lose track of days, can’t remember dates looking at a calendar is
pointless. (Interviewee 4)
For some prisoners
boredom might be displayed by anxiety and frustration with the
inability to do something, as Cohen and Taylor (1976) suggest
boredom is ‘an invitation for action’[33].
However these feelings of boredom in prison are accentuated even
more by the incapacity to engage in activities or tasks of their
choosing.
The burden of boredom in prison is experienced in a
highly conscious way, to some degree prisoners can recognise the
impossibility of participation in self-defining activities.
Ways in which
prisoners in my research coped and managed with boredom was to
strive to remain in regular contact with the ‘outside’ world, via
other systems such as books, letters and radio (Meyrowitz 1986).
This is especially the case within the perimeters of their own
cells, where these periods of boredom are so starkly evident. The
practice of seeking to or use mass communications, for some,
assisted their quests to avoid, quash or reduce anxiety and
frustration associated with boredom.
HMP Leeds Governor
Tasker echoes this sentiment that ‘televisions provide contact with
the outside world and can help alleviate boredom’. In defence she
argues ‘they are not a panacea, but I think they have helped.’[34]
However access to mass communications is dictated by the incentive
and earnings privilege systems set up in prison, such as rights to
an in-cell TV, frequency of ‘association’ time (time outside their
cell), which in turn determines access to use the telephone, to
interact with other people, have access to newspapers, magazines and
have visits from friends and family from the outside. In this way
access is fundamentally governed and determined by conduct and
behaviour. Individuals have to earn ‘points’ to gain access to
communicative opportunities, by behaving in an ‘acceptable’ manner.
Consequently, for those prisoners who feel they need to prevent or
limit boredom, they are further confronted with apprehensions about
getting on in the prison regime of rewards and privileges.
Similarly privilege
mechanisms are also apparent on the ‘outside’, within the domestic
sphere. Desmond’s (1987) notion of ‘parental mediation’[35]
is part of most children’s experience. Children are typically
punished for undesirable behaviour by removal of privileges such as
watching television or listening to music. Alternatively they are
rewarded for desirable behaviour by ‘offering their children
incentives to get good grades. The bribes range from CDs and clothes
to large sums of money.’[36]
The prison system translates this ‘domesticated’ routine, by acting
as regulators of communication opportunities. However unlike most
children on the outside, in the prison setting choice and
alternative forms of stimulation are limited or nonexistent. In
Ramsbotham’s words ‘there is virtually nothing with which to occupy
prisoners in purposeful activity.’[37]
It is useful to suggest then that for some prisoners the rewards and
privileges, like in-cell television and access to newspapers are not
taken as merely rewards or payment for desirable behaviour, they are
important tools to enable prisoners to manage boredom and
self-prescribed activity.
In some instances,
seeking other ways to dispel boredom does not result in rewards,
either because they are not available or even suitable. For
some of the respondents, activities amount to having a ‘laugh’:
just have a laugh with others on the
wing. Last night we were all shouting and one lad rang the alarm for
a laugh, proper funny, saying he was suicidal and got took to the
hospital (laughs out loud)’ (Interviewee 2)
This is not just for
comedy purposes. The extent these individuals (described above) go
to, to have a laugh is also serious. In this instance the laugh is
at the institution’s expense and draws upon their awareness of the
realities of what prison entails. The insider knowledge of the
regime and routine, combined with their phenomenal sense of boredom
becomes the basis for a prank to disrupt the monotony. Here
prisoners have temporary power over the institution in an ‘attempt
to gain control’[38],
by seeking ways their own ways to overcome anxiety and frustrations
associated with boredom.
My research also
indicates ways in which some prisoners make sense of the boredom
they can experience. The prison environment prevents prisoners
engaging with their choice of music, for example. In the instance of
Dance music (the most popular music at this institution) prisoners
can listen to it, talk about it and even dance to it, however their
interaction with this kind of music is denied. Typically Dance music
is received in or associated with clubs, thus with groups of people
gathering voluntarily. Listening to this music reminds them of their
own wider community, or as Jewkes (2002) suggests it,
provides material for
escapist or romantic fantasies, evoke memories and allow prisoners
to transcend the confines of space and time. They reinforce a sense
of humanity, uniting the prison population with the wider society in
common experience.’[39]
Individuals explained
that they liked and listened to ‘Hip Hop [because] it’s my culture’,
‘Jungle [I have] liked this since a young age’ and ‘Garage … lyrics
… drugs involved, meaning me in a club.’ Music serves as a reminder
of certain scenarios which transport the individual directly to
these past experiences. This ‘effect’ that music can have, can
highlight that for some prisoners the ways in which they make sense
of ‘their’ music requires them to use music and cognitive processes
(i.e. memory). These might serve as a antidote to the kind of
boredom they experience in prison. Moreover, music provides the
listener with ways in which to mobilise ‘cultural capital’ or
identity. In many ways boredom or the recurring incapacity to choose
what to do can stifle the maintenance of one’s identity. Boredom
gets in the way of being able to use memory to be able to work on
one’s identity (see Cohen and Taylor 1976). As Miles (2000)
suggests in his study of youth culture, the media assist in the
creation of ‘a generation of nostalgics and retro freaks.’[40]
With the respondents’ references made to clubs and drugs it is
apparent in the light of Miles’ comment that the immediate
circumstances forces the prisoner to think about their favoured
music in terms of how they usually consume it, meaning in the past
and not the present. Music serves as a tool to evoke memories and
thus be diverted from boredom, the frustrations and anxieties
associated with boredom and the restrictive nature of incarceration.
In addition, music is a route or mechanism for temporary
escapism; they can transcend the confines of space and time.
Paradoxically the escape is limited in that it only takes them to
the past as the present and the future is postponed by the totality
of the routine and physical nature of incarceration.
The dilemma of this
boring experience was a common theme that emerged from my research.
Despite the strong evidence to suggest that mass communication
serves as a diversion from boredom or, as Lull (1990) highlights,
‘background noise, companionship, experience illustration, common
ground, anxiety reduction and agenda for talk’[41],
the regulative and punctuated use of television and radio was
deliberately avoided by some of the respondents in this study (see
Scannell, cited in Morley 1997). Consequently for some prisoners,
the activity of engaging with various media was not a satisfactory
remedy for the anxieties and frustrations boredom brings about. For
some the process of listening to music or watching television serves
to satisfy needs in terms of surveillance, but does not reduce the
sensation of boredom. For example, an interviewee remarks how he
can monitor the kinds of information he prefers, but some
information, like news broadcasts irritate him,
‘TV and papers … find
out what’s going off ... don’t like listening to the news … it’s
something you hear all the time … never liked it … you hear it more
here and take it for granted.’ (Interviewee 4)
Mediated information
enables these individuals to make sense of and monitor their
wider community, particularly outside prison and as Jewkes notes
that mediated forms of communications like newspapers and news
updates provide a ‘seamless flow’[42]
and thus contribute to a sustainable ‘ontological security’.
Paradoxically media broadcasts provide a routine such as ‘news
updates’ which some of the respondents found to be annoyingly
repetitive and a stark reminder of time. This conflict between
needing to know what is going on and the routine of media
broadcasting highlights a dilemma between doing time (serving their
sentence) and being part of structural time that is associated
predominantly with the outside. For some prisoners broadcast media
mark time, but do not necessarily kill or squash time for the phase
of imprisonment.
Another individual
explained,
‘I’m too restless…I get into trouble cos
I’m deaf and don’t hear them waking you up…I’m also used to working
different shifts and my body clock is different…I don’t like the
routine here…I don’t want to get out of the habit…there should be
more discussion groups to help you cope and manage your time.’
(Interviewee 5)
This interviewee is
conscious of the routine imposed in prison, recognising the power it
has on his time spent in prison, and does not want to get out of his
previous routine, after all he will return to it when he leaves the
institution. As Foucault (1977) highlights, ‘power is articulated
directly onto time, it assures its control and guarantees its use.’[43]
The individuals ‘do’ time to serve their sentence and it is the
power of the institution that above all controls this time.
Since 77% of the
prisoners’ typical day is spent ‘banged up’, boredom is most likely
to occur in their prison cells. Individuals who have in-cell
television and radio probably do not need to look at a calendar, as
broadcasts can do this for them (Scannell 1988). Here the marking
of time is signified through punctuation of broadcasts. However,
this is problematic because they are sentenced to a fixed period in
prison, their ultimate aim is to complete this speedily and to
return to the world outside. Consequently they are victims of time
in two ways. Firstly, they have to serve time in prison for their
offences and secondly the routine of prison life is monotonous,
being the same everyday; the routine is total, and something over
which they have no or little control. We can distinguish two types
of time that prisoners may experience: linear time, and cyclical
time. Linear time is unfolding time on an infinite continuum,
whereas cyclical time is time that returns to the same point at
which it began. The monotony of prison time is overtly felt as
cyclical and repetitive. Similarly broadcasting in its nature is
also cyclical, evident in the scheduled nature of programming on
radio and television and also the daily and monthly periodicals
event in print media. The ability to differentiate one day from the
next is an insignificant and futile task, especially for those
beginning their sentences or those serving lengthy sentences. In
some instances routine exposure to the media only accentuates the
totality of routine in prison. As Cope (2003) suggests prisoners
become ‘engaged in a process of ‘time suspension’ … to separate
prison time from their time outside.’[44]
During the research
visits to Glen Parva YOI it was noted that some individuals referred
to the institution as ‘Costa de la Parva’. Although a joke, this
rhetoric displays an irony which is directed at public resentment
that prisons are holiday camps, particularly when it is claimed that
prisoners have lavish access to all sorts of communication systems.
The popular concept is that imprisonment is a punitive measure set
by the judiciary, whereby the process of confinement removes both
freedom and choices. However the dilemma is that imprisonment should
also address the rehabilitative role, as Prison Rule One stipulates
that imprisonment will ’encourage and assist them to lead a good and
useful life.’[45]
Therefore the intensified boredom could render the rehabilitation of
offenders as useless rather than ‘useful’. Boredom is experienced by
most from time to time and opportunities to select and choose
activities to overcome this are usually accessible. It is the
restrictions of the prison regime and frequency of communication
use, such as television that can intensify this. Further
consideration is needed to maintain a balance between punishment and
routine and rehabilitation/curative measures in relation to access
and use of communication systems.
Conclusion
Conducting this
research has highlighted significant differences but also
similarities in consuming behaviour of mass communications. In
addition, my research suggests that our relationship with media and
more broadly mass communications is altered, shifted and
reconstructed according to the social and institutional practices of
a particular locale. This shift in meaning has implications on
audience research from a number of complex and inter-related factors
that shape our experience as audiences and consumers. The context
can shape the experience and construction of how media and audiences
are defined. As a consequence methodological approaches to
designing and analysing audience research are deeply located in
context, shift in definitions and the layers of which the social
world is constructed. For the researcher to penetrate these layers,
especially in a prison environment, it makes research with audiences
difficult and often limited. Considerations of access to the
institution, prisoners and research participants were repeatedly an
issue, compounded by the time allowed, based on (1) institutional
routine and regime and (2) the research deadline, cost to carry out
the study and sensitivity towards maintaining ethical enquiry. In
addition, although participants took part eagerly in my study, they
constituted neither a random nor a purposive sample. Rather this
was an opportunist sample, based only on my ability to gain access
to the institution itself, by authorisation of the Governor, its
close proximity to my place of work and home, my contact with
prisoners through the Education Unit, and repeated access to the
same prisoners throughout the course of the study. Because of the
nature of the institution, this study does not touch upon adult or
female prisoners. It would be interesting to compare these findings
with the experiences of other prisons and prisoners.
This study shows,
nonetheless, that audiences in prison are different to audiences
outside prison. Imprisonment controls and often denies opportunities
to access mass communications. Furthermore, audiences in prison
experience surplus amounts of time, which then heightens the
sensation of boredom through the creation of prolonged periods of
inactivity. The lack of ‘ontological security’ poses significant
problems for the well being of these types of audiences and the role
and function of mass communications in the prison environment.
In the light of
Prison Service’s mission statement and the findings from this study
it is imperative to clarify the communicative rights of prisoners in
respect of mediated forms such as TV, radio, print media and
information technologies such as the Internet, and interpersonal
communication such as telephones, letters, visits and social
interaction. Engaging with both forms of communication does not just
combat boredom. However boredom is a significant, complex and common
experience of prisoners, even when they do access mass
communications. It is therefore necessary to reassess and consider
alternative and less routine orientated programmes of
rehabilitation, in order to provide more opportunity to communicate
on all levels rather than individuals ‘making do;’ with the
resources they have available to them, particularly during ‘bang-up’
time.
Fundamentally mass communications are
channels and methods for bridging the gap between inside prison and
the outside world. They are a fundamental and crucial mechanism for
maintaining strong links with their own identity in terms of
preventing psychological deterioration and severed links with the
outside. Mediated communications do provide the cliché window onto
the world, which also allows prisoners to transcend and take control
of time and to some extent their experience of space. However, more
importantly regular and direct interpersonal social interaction
provides a significant lifeline and strategy for coping with and
surviving incarceration.
[1]
A version of this paper was presented at the 2002 MECCSA
Post-graduate Conference at the University of
Westminster.
[2]
Jewkes, Y (2002) Captive Audience pix
[3]
Lindlof & Meyer (1987) ‘Mediated communications: the foundations
of qualitative research in Lindlof Natural Audiences’ cited in
Morley Television Audiences and Cultural Studies (1997)
p165
[4]
Jewkes, Y. (2002) ‘The Use of Media Constructing Identities in
the Masculine Environment of Men’s Prisons’ in European
Journal of Communication Vol 17:2 p205
[5]
Johnson, R (2004) Back to the Future The Growing Isolation of
Contemporary Prisons p11
[6]
Jewkes, Y (2002) Captive Audience pg xii
[7]
Denscombe, M. (2003) The Good Research Guide p268
[8]
Miles, M & Huberman, A (1994) Qualitative Data Analysis
p9
[9]
Vandebosch, H. (2000) ‘Research Note: A Captive Audience? The
Media Use of Prisoners’. European Journal of
Communication p529
[10]
Jewkes, Y (2002) Captive Audience p22
[11]
O’Sullivan et al (2003) Studying the Media p6
[12]Jewkes,
Y (2002) Captive Audience p21
[13]The
findings from this study did begin to reveal some central issues
about the construction of masculinities in prison, especially in
relation to use of magazines like ‘lads’ lifestyle’ and
pornography, in which Jewkes’ (2002) study articulates. The
focus of this paper is concerned the effects incarceration has
on consuming behaviour in the everyday lives of young male
offenders, especially in terms of choice, access and
availability.
[14]
Forsythe, B (2004) ‘Loneliness and Cellular Confinement in
English Prisons 1878-1921’ in British Journal of Crimi |