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Statement of Aims
The aim of this Journal is to become
a focal point for research, debate and publication on all aspects of the study
of audiences for cultural and media products and practices.
The term 'audience’ is used as widely as possible, and with no intended
theoretical attachments. It
therefore includes readers, listeners, viewers, whole body participants; and
receptive and interactive modes of engagement. In what follows, the expression 'audience research’ should be
understood as a shorthand for the gamut of kinds of experience and relationship
implied in the above.
The Journal is being established on
the following key grounds: we believe that audience research, conceived this
widely, is of enormous potential importance and value, yet at present it is in
many respects under-developed and under-recognised. Even where important work has already been done, and published, audience
research struggles for recognition, while at the same time often untested claims
and assumptions about 'audiences’ are used, sometimes influentially, within
both public and academic debates.
Audience research is by its very
nature complicated. It involves the
examination of the ways in which people find many different kinds of meaning and
pleasure, in response to communicative and participative processes involving the
use of symbol systems, narratives, forms of talk and knowledge, the full range
of sensory modes of experiencing and complex semiotic arrays. The people who engage in these complexes encounter them within social and
cultural environments and historical moments. And the researchers themselves inevitably belong within
intellectual, cultural and political traditions, which play roles both in the
formulation and understanding of the research process, and in how those
researched may respond to research situations.
All this means that methods of
research, and conceptualisations of the processes involved, are also complex. And many approaches have things of importance to contribute to our
understanding. The Journal is
therefore founded on a principle of welcoming contributions from different
fields (at the least, all areas of media research, including new media; dramatic
and performance; literary; music and dance; museums and heritage; folklore
studies; and media and cultural educational practices), and different
disciplinary and methodological traditions.
We recognise that at least the following have had important things to say
about audiences and reception processes: sociology, psychology, anthropology,
linguistics/discourse theory, folkloristics, cultural and media studies.
We also recognise that important sectoral work has been developed in a
considerable number of areas outside the current 'mainstream’ of media
audience research: for example, museum and heritage studies; literary studies;
educational studies. Within each of
these, a range of both quantitative and qualitative methods have been usefully
developed and deployed.
We also recognise that there are
important traditions of research into audiences within sectors other than
academia. For various purposes,
governmental and para-governmental bodies have from time to time promoted
research, to lay the foundation of policy-initiatives. A wide range of commercial and marketing organisations conduct audience
research of different kinds as part of their operations. Public opinion polling organisations have often included
elements of audience research within their work.
Cultural practitioners from time to time conduct audience research in
connection with their output, their venues, and their programmes.
There will inevitably be from time
conflicts of interest and approach between the Journal and its academic
constituency, on the one hand, and other research bodies, and it is essential
that the Journal retains a critical integrity. However, at the same time, it is a founding commitment of the Journal
that in principle all these have much to learn from each other. At present there is hardly any dialogue between them. We want the Journal to make some contribution to developing such
dialogues, although we recognise that the task is hard, and that it will
undoubtedly take a long time, and many individual initiatives to enable this to
happen.
Given these broad objectives, the
remit of Particip@tions will be to:
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Promote
the intellectual presence, recognition and authority of studies of audiences
and reception processes, understood in the broadest possible sense.
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Reach
across between disciplinary fields, with the intention of promoting
inclusion of research interests and traditions in all areas of cultural
production and practice, including: all areas of media research, including
new media; dramatic and performance; literary; music and dance; museums and
heritage; folklore studies; and educational practices in relation to all of
these.
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Research
and recover the history of such researches, both re-presenting and
critically evaluating the various sources and approaches that have
contributed to the development of the field.
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Engage
with the multiple motives (academic, policy, commercial, developmental) at
work within the field.
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Keep
abreast of current work in the field, where possible publishing new work,
otherwise reviewing and evaluating developments.
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Recognise
and engage with the diverse national and regional traditions of work in the
field.
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Engage
critically with the uses to which audience research has been and is put.
The Journal will seek friendly and
cooperative relations with as many other Journals as possible in cognate and
overlapping areas, with a view to promoting mutual awareness, dialogue and
possible cross-referral of submissions as appropriate. The Journal will also seek friendly and supportive relations with other
web-journals, with a view to sharing experience on effective means of
development.
Particip@tions actively
encourages the members of its own Board and Advisory Board to submit their work
to the Journal. However, in order
to ensure that all such work is subject to the same scrutiny as other
submissions, in these cases acceptance cannot be based on less than two reports
from experts who are not members of the Editorial Board and, wherever possible,
will include one report from a person who is a member of neither the Editorial
nor the Advisory Board.
The Journal will operate as far as is
possible on the basis of email submissions (with a preference for attachments in
Word, as standard). Articles and
other materials may be submitted therefore as email attachments. Referees will normally receive submissions by this route.
Reports on submissions will normally be submitted by the same method.
Because of the centrality of this, all participants in this process are
asked to take all reasonable steps to ensure that attachments do not carry
viruses within them.
The Journal will seek means other
than its web publication to promote both dialogue within, and wider recognition
of, this field of work. Initiatives
may include:
- organising conferences specific to audience and reception studies;
- organising panels and presentations at other cognate conferences;
- promoting interventions in relevant debates;
- giving support and encouragement to research collaborations;
- and making submissions to research funding and policy-making bodies with
regard to audience research matters.
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This
page was last modified
15 May 2006
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