Bore, Inger-Lise Kalviknes:
'Focus Group Research and TV Comedy Audiences’
George, Kelly C.:
'Self-Help as Women's Popular Culture in Suburban New Jersey: an Ethnographic Perspective'
Redfern, Nick:
‘Correspondence Analysis of Genre Preferences in UK Film Audiences’
Special Section: Comic-Book Audiences
Sabin, Roger:
'Special Section Introduction’
Barker, Martin:
'The Reception of Joe Sacco's Palestine’
Berenstein, Ofer:
'Comic-Book Fans' Recommendations Ceremony: A Look at the Inter-personal Communication Patterns of a Unique Readers/Speakers Community'
Burke, Liam:
‘"Superman in Green": An Audience Study of Comic-Book Film Adaptations Thor and Green Lantern’
Gordon, Ian:
‘Writing to Superman: Towards an Understanding of the Social Networks of Comic Book Fans’
Locke, Simon:
‘Fanboy as a revolutionary category’
Patrick, Kevin:
‘"Phans", not "Fans": The Phantom and Australian Comic-Book Fandom’
Sabeti, Shari:
‘"Arts of Time and Space": the Perspectives of a Teenage Audience on Reading Novels and Graphic Novels’
Woo, Benjamin:
‘Understanding Understandings of Comics: Reading and Collecting as Media-Oriented Practices’
Special Section: Music Audiences
Bennett, Lucy:
'Special Section Introduction’
Anderson, Lauren:
'"That's how it's supposed to make you feel": Talking with Audiences about 'Both Sides Now' and Love Actually’
Anderson, Tonya:
'Still Kissing Their Posters Goodnight: Female Fandom and the Politics of Popular Music'
Avdeeff, Melissa:
‘Technological Engagement and Musical Eclecticism: An Examination of Contemporary Listening Practices’
Baym, Nancy K.:
‘Fans or Friends? Seeing Social Media As Musicians Do’
Duffett, Mark:
‘Boosting Elvis: a Content Analysis of Editorial Stories from One Fan Club Magazine’
Kaun, Anne & Fredrik Stiernstedt:
‘Media Memories: The Case of Youth Radio DT64’
Potts, Liza:
‘Amanda Palmer and the #LOFNOTC: How Online Fan Participation is Rewriting Music Labels’
Zaborowski, Rafal:
‘Simple Unchanging Stories about Things We Already Know’: Japanese youth and popular songs’
Special Section: Audience Involvement and New Production Paradigms [COST Action]
Noguera, José-Manuel, Francesca Pasquali & Mélanie Bourdaa:
'Special Section Introduction’
Hills, Matt:
‘Torchwood's Trans-transmedia: Media Tie-ins and Brand “Fanagement”’
García-Avilés, José Alberto:
‘Roles of Audience Participation in Multiplatform Television: from Fans and Consumers, to Collaborators and Activists’
Boccia Artieri, Giovanni:
'Productive Publics and Transmedia Participation’
Vobic, Igor & Ana Milojevic:
‘Societal Roles of Online Journalists in Slovenia and Serbia: Self-Perceptions in Relation to the Audience and Print Journalists’
Cordeiro, Paula:
‘Radio becoming R@dio: Convergence, Interactivity and Broadcasting Trends in Perspective’’
Bennett, Lucy:
'Transformations through Twitter: The England Riots, Television Viewership and Negotiations of Power through Media Convergence'
Horváth, Dóra, Tamás Csordás & Nóra Nyiro:
‘Re-written by Machine and New Technology: Did the Internet Kill the Video Star?’
Grandío, María del Mar & Joseba Bonaut:
'Transmedia Audiences and Television Fiction: a Comparative Approach between Skins (UK) and El Barco (Spain)’
Berriman, Liam:
‘Negotiating Proximity: The Co-Existence of Habbo and its Fansites’
Lin, Yu-Wei:
‘The Emergence of the Techno Elite Audience and Free/Open Source Content: A Case Study on BBC Backstage’
Villi, Mikko:
‘Social Curation in Audience Communities: UDC (User-distributed Content) in the Networked Media Ecosystem’
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